brazil

“Every time a shaman dies, it is as if a library burned down.” - Mark J. Plotkin, PhD

The old caboclo woman stopped abruptly in her explanation of the plant in her hand and stared to the back of our group, at the tall, sun-browned, shirtless man who had just stepped into her garden.  “Ele é índio?” the old midwife asked excitedly, “ele entende muito de plantas, ervas, remédios?!” The newcomer had been just about to snap a photo of the scene but the force of old woman's reaction startled him into almost dropping his camera. He turned to my girlfriend Amber and I with a confused look, “What did she just say?” 

I chuckled out loud and translated for him while Amber explained to the old woman that no, our friend Kenny was neither a “native” nor from the jungle, that he was originally from Hong Kong and - as an energy trader on Wall Street – Kenny’s particular knowledge of stocks and plants probably wasn’t quite what the old woman was hoping for. The midwife’s mistake was easy enough to understand though: a dark brown, muscular man with long raven-black hair, Kenny looked like a piece of history stepping out of the jungle. In fact, most of the people we had met during our weeklong tour of riverside communities had made the same mistake about Kenny’s heritage.  What surprised me instead about the old midwife’s reaction was that even though practically a medicine woman herself - born and raised in the Amazon - she still seemed desperate to pump an outsider for his knowledge of local plants and medicines.

To the casual observer, it may seem like we haven't doing much with toys lately here at BRINQ! However, though we HAVE been pretty busy, we've had our eyes at everywhere for new toys and innovations at all things play. Everywhere being Brazil, Kenya, the U.S., and of course the Internet.

Here are a few of the toys we've come across in the Base of the Pyramid.

To the casual observer, it may seem like we haven't doing much with toys lately here at BRINQ! However, though we HAVE been pretty busy, we've had our eyes at everywhere for new toys and innovations at all things play. Everywhere being Brazil, Kenya, the U.S., and of course the Internet.

Here are a few of the toys we've come across in the Base of the Pyramid.

I've been very happy with how far my Portuguese has come, especially after having been gone from Brazil for so long, yet my ability to communicate here is like being able to swim in a gentle sea, enquanto tudo tá tranquilo, tudo bom! ("While everything is calm, no problem!") But while sitting in on CatComm's open forum, a meeting for feedback from community partners and constituents, I experienced a very different world of linguistic aquatics; visualize the crashing waves at Ipanema, Brazil's most famous of beaches, where the people are beautiful but the weak stay out of the water.

Last night, a dozen of us met inside the Casa do Gestor Catalisador, CatComm's home and technology hub in Rio, located on the edge of the downtown, in a historic district by the bay and the center of the old slave trade. Around us on the Casa walls, on mounted wood or printed t-shirts, hung windows into the world of the favelas, the works of Brazilian photographer Maurício Hora, a man with an incredible capacity to capture the spirit of place on film. Maurício sat to my left, Theresa to my right, the rest were spread out in a circle around the room, community leaders and artists, passionate Brazilians all; not quite what my beach and bar Portuguese had prepared me for.

Projeto BIRA (Brincadeiras Infantis da Região Amazônica) is all about playful exchange: an effort to document and share the games and play cultures of Amazonian communities in the north of Brazil.Projeto BIRA (Brincadeiras Infantis da Região Amazônica) is all about playful exchange, an effort to document and share the games and play cultures of Amazonian communities in the north of Brazil:

This project is totally focused on games that are carried out by children, in areas where spontaneity is the principal means of communication and where the forest and its embellishments are the source for materials and challenges that motivate a diverse range of actions. These actions are easily recognized by parents, grandparents, and ancestors who play along in some form, even if it's only through a look that conveys the recognition: "Ahhh, I know how to play that." [StreetPlay.com]

CCF Brazil has established 24 toy libraries in several rural communities which serve nearly 600 children and 300 adolescents daily. Discarded socks, aluminum cans, and corncobs may look like trash to some, but to nine-year-old Junior of Brazil, they are balls, cars, and dolls in the making.